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A film is a work that emerges with the serial display of moving pictures. Films are created by recording real people and objects with a camera, or by creating both elements with techniques such as animation techniques and special effects. In movies, a series of individual frames are created, but when these frames are shown sequentially and rapidly, an optical illusion is created and this optical illusion causes the viewer to perceive continuous motion between individual frames that are rapidly viewed in sequence (due to the Phi phenomenon).[1] The filmmaking process is both an art and an industry.[2] Contents 1 Movie history 2 Film theory 3 movie reviews 4 Independent filmmaking 5 See also 6 Bibliography movie history A scene from Georges Méliès' film Journey to the Moon (1902) The existence of the mechanism for displaying two-dimensional images in motion goes back to the 1860s. In these years, devices called zoetrope and praxinoscope, which were developed from simple optical devices, were used. With the development of celluloid film, which is still used in photography, it was possible to capture the movement of objects in real time. In the early versions, the viewer had to look inside a special device to see the streaming pictures. With the developments up to the 1880s, it was possible for cameras to capture real-time images, record them on film, and project them onto the screen for a whole audience to watch. In these shows, called "motion pictures", the images could not be played using any cinematic technique. The first story film was made in 1902 by Georges Méliès in Le Voyage dans la Lune (Travel to the Moon). Although motion pictures were a purely visual art until the 19th century, the first silent films were enjoyed by the public. At the beginning of the 20th century, films began to develop a narrative structure. Camera movements began to be applied in a way that made the story of the film more effective. Since the films were silent, the audience began to hire a pianist or an orchestra to produce music according to the passage of the story in the film. In the early 1920s, preset music lists were created for this purpose for most films. film theory Film theory is a succinct, systematic search for concepts to be applied to film/cinema as an art. Classical film theory provides a structural framework for classical subjects such as technique, narrative, genre, subjectivity, authorship. More recently, analyzes have emerged from psychoanalytic film theory, structuralist film theory, and feminist film theory. movie review Film criticism is the analysis and evaluation of films. It is generally divided into academic criticism, which is done by academics, and journalistic film criticism, which is seen in newspapers and other media. The film criticism seen in newspapers, magazines and cable broadcasting is basically a peek at new productions. Critics in these areas have a short time to watch the films and prepare their views for publication. Therefore, such criticisms are not a deep analysis of the film, but rather introductory articles that briefly inform the audience about the subject, genre and director of the film, and show the critic's attitude (like or dissatisfaction) towards the film. The impact of criticism on action, horror and comedy movies for mass consumption on the revenues of such movies cannot be underestimated. Journalist movie reviews have an important place in the movie industry because of their power to influence the masses. Academic film critics, on the other hand, approach films from a more academic point of view, aiming to analyze the film in a real sense. Such studies are known as film theory or film studies. In these movie reviews, it is tried to understand why the movie was made, how it went on and its effects on people. Such criticisms are published in scientific journals or as books. independent filmmaking Independent films are often made outside of Hollywood or by other major studio systems. An independent film is one that is not financed or distributed by major motion picture studios. The search for alternatives, the business world, and advances in technology contributed to the development of independent filmmaking in the late 20th and early 21st centuries.